The Choir Read online

  Also by Joanna Trollope

  A Village Affair

  A Passionate Man

  The Men and the Girls

  The Rector’s Wife

  A Spanish Lover

  The Best of Friends

  Copyright © 1988 by Joanna Trollope

  All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc.

  Originally published in the United Kingdom by Century Hutchinson Ltd.

  in 1988.

  Library of Congress Cataloging-in-Publication Data

  Trollope, Joanna.

  The choir / Joanna Trollope.

  p. cm.

  eISBN: 978-0-307-75788-3

  1. Choirs (Music)—England—Fiction. 2. Cathedrals—England—Fiction. 3. Clergy—England—Fiction. I. Title.

  PR6070.R57C46 1995

  823.914—dc20 95-11612

  v3.1

  For Ian

  Full lasting is the song, though he,

  The singer, passes: lasting too,

  For souls not lent in usury

  The rapture of the forward view.

  —George Meredith

  Acknowledgements

  Needless to say, all the characters in this novel are entirely fictitious, but there are several real people to whom I owe a great debt of gratitude for their time and experience, and for the chances they gave me to learn at first hand about life in a cathedral choir. I should like to thank most warmly the Reverend Alan Charters, headmaster of the King’s School, Gloucester; Mr. John Sanders, organist and director of music at Gloucester Cathedral; Mr. Harry Mudd, managing director of the Abbey Recording Company; Mr. Andrew Shenton, organist and director of music at St. Matthew’s Church, Northampton, who allowed me to sit in on the recording session of Daniel Ludford-Thomas, B.E.T. Choirboy of the Year.

  Joanna Trollope

  Gloucestershire

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  Dedication

  Epigraph

  Acknowledgements

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  About the Author

  1

  NICHOLAS ELLIOTT, WHO HAD HAD MANY REVERSES IN HIS YOUNG life, pushed open the inner door of the cathedral porch, and heard the singing. It was early, not much after eight in the morning, and outside the cathedral there had been no sound but the wind and a few gulls looping, crying round the tower. Now, with the felt-padded door softly shut behind him, he could hear nothing at all but the singing, far off but very clear. They were singing Palestrina’s “Tu es Petrus.”

  He began to walk rapidly, on tiptoe, across the back of the nave towards the north transept. In the corner of the transept was a door he had opened every morning for four years, which gave on to a flight of stone steps that led up to the practice room. That room was where they were singing now, twenty-four choristers among the music stands and the dust, with the miniature cricket stumps on the disordered mantelpiece, the stacks of psalters on the scuffed benches and chairs, the engravings of past organists askew on the walls. When Nicholas had been head chorister, he had stood and sung beneath William Goode, vastly fat and hugely benign, who had played the Aldminster organ from 1782 until 1801.

  The door at the foot of the staircase was open. The singing had stopped.

  “And what,” said the voice of the organist clearly from twenty feet above Nicholas, “is that sharp doing there, may I ask?”

  Memory filled Nicholas’s mouth with the taste of stale Weetabix imperfectly brushed from his teeth in the early-morning panic. He could hear his mother, as they dashed erratically along the city’s ring road, shrieking that she would never have countenanced his being a chorister if only she had known—

  “If it’s three-two, Wooldridge,” said the organist, “what is it? Come on, come on—”

  “Three minims, sir?”

  “Now find that anthem. The Batten one. It’s the one you will sing in procession. Listen to this note. Now, a nice round O—”

  Probably, in fact certainly, he was playing the same old Steinway up there, with its keyboard facing the huge diamond-paned window blurry with dust and its top heaped with sheet music in sliding piles.

  “Look,” the organist said, “the altos have got the tune. Haven’t they?”

  Nicholas could smell the smell up there, dust and paper and boy. He was sick with envy. Under his hands he could feel his old copy of Byrd’s “Magnificat” in its thin stiff red covers, with the cathedral crest stamped on the title page and NOT TO BE TAKEN AWAY underneath in purple ink.

  “Now,” said the organist, “we haven’t much time left. Tallis. ‘If Ye Love Me.’ Right up to ‘commandments’ in one breath and you’ve got to do a bit of counting. All right? All right, Hooper? First time round that’s only two beats—”

  Five minutes later, when the organist came down the steps to the transept, in a skirmishing crowd of boys amiably bashing at each other with carrier bags and fiddle cases, he found a perfectly strange young man on a bench by the wall, gripped by a paroxysm of weeping.

  “I gave him to Sandra,” Leo Beckford said to the headmaster of the King’s School at break.

  “Who did you give to Sandra?”

  “The chap I found in the cathedral this morning. He said he was a chorister here once, head chorister in 1976. I’ve looked him up, and he was. I was awfully moved by him. It seems to me that he was seeking sanctuary, somehow. Are you listening?”

  “Sorry,” Alexander Troy said, “not really.”

  “I know he isn’t your responsibility really, but as an old boy—”

  The headmaster twitched his gown more securely on to his impressive shoulders.

  “Tell Sandra. She’s so competent. I expect she’ll feed him.”

  “I have. She did. She sent him into breakfast and he was overjoyed that it was still bacon and tinned tomatoes on Wednesdays. Are you all right?”

  “No,” Alexander said, “I am not but I can’t talk about it just now, not even to you. Sorry.”

  When he had plunged out of the common room, Leo knew that his own protective colouring had, as usual, gone with him. Leo disliked the common room; he had no place there, not being on the staff, and he only came in to find the headmaster or to do battle, to explain, as temperately as he could, to one master after another, why choir practice must take precedence over football practice and cricket practice and rowing practice and athletic practice. He began to move towards the door and somebody said, “Beckford,” and he unwisely said, “Yes,” and the athletics coach (who taught woodwork in winter) said, “About Wooldridge, Beckford—”

  “Not today.”

  “But—”

  “We sing Monteverdi’s ‘Stabat Mater’ in evensong. It has three treble parts. Wooldridge is the second-best treble we have. He can jump about any time.”

  “I hope you know,” the athletics coach said, losing his temper in an instant, “that you musicians are a total irrelevance in the modern world.”

  Leo looked at him.

  “Is that so,” he said, and left the room.

  In the corridor, Sandra Miles, the headmaster’s secretary, was pinning notices on to the Gothic bulletin boards that had hung there since the building went up in 1850. She was small and pretty, with prim little shirt
collars turned down over the neat necks of her jerseys and a bell of disciplined pale hair.

  “I spoke to the HM,” Leo said, “but he doesn’t seem to be taking much in this morning.”

  Sandra looked at once soberly discreet and self-important.

  “I don’t think this morning is the morning to trouble Mr. Troy.”

  Leo grinned at her.

  “Don’t you call him Alexander?”

  Sandra blushed rose pink. Beneath her Marks and Spencer jersey, her heart sometimes called him darling, and after two glasses of Liebfraumilch, lover.

  “Ho-ho,” said Leo, and then, in order not to tip the teasing into taunting, said, “What have you done with our refugee?”

  “I’ve given him to Mr. Farrell to help mark out the running tracks. He seems awfully pathetic. He hasn’t anywhere to go.”

  A bell rang and immediately the hubbub of a resumed morning began to swell around them.

  “Mr. Godwin remembers him,” Sandra said confidentially, having put the unused thumbtacks into a neat square in a corner of the board. “He never used to see his father, and his mother was terribly neurotic and used to turn up on parents’ evenings and make scenes and cry all over everyone. And then he went to find his father in America and he had married again and had got a new family and they wouldn’t take him in. Then he got a place at Oxford—Mr. Godwin says he can’t think how except on the strength of his voice—and they threw him out after a year for failing some exam or other. And now he can’t get a job. He told me he doesn’t know what he wants to do. Pathetic, really.”

  “I suppose I could give him a bed for a bit,” Leo said uncertainly, thinking of the deep litter in which he lived and which he never noticed unless it was to be subjected to outside scrutiny.

  “Oh, don’t bother, Mr. Beckford—”

  “Leo.”

  “Leo—it’s all right. I’ve seen matron and she’s putting him in the sick bay for a night or two, because that’s almost empty, what with this being the summer term. He can do odd jobs for now, and one more for meals won’t break the bank. The Cottrell twins don’t eat anything as it is. Mr. Farrell said to remind you that he needs Wooldridge for the hurdles this afternoon.”

  “Mr. Farrell,” said Leo, “can boil his head, and I have virtually told him as much. Sandra—”

  “Yes?”

  “Sandra. Is Mr. Troy all right?”

  She looked at him with her clear blue glance and there was real sadness in it.

  “No,” she said, “I don’t think he is. But we must none of us interfere,” and then she went quickly and lightly away from him down the red and ochre tiles of the corridor and left him, disconsolate, by the notice boards.

  The door between Sandra’s own neat office and the headmaster’s study was open, and she could see a corner of his disordered desk and the vase of flowers she put there faithfully every Monday. This week it was three very pink peonies—from her mother’s garden—and he had already knocked them over twice, once soaking the pile of Choir Schools Reviews waiting to be sent out to the parents of the choristers. He was on the telephone. Sandra heard him say, “No, there is no clue. She simply went. I hoped she was staying with you.”

  He was talking to his brother-in-law. The “she” was Mrs. Troy, Felicity. Sandra closed the communicating door and went back to her typewriter. Sandra’s mother had said that Felicity Troy was a person of real quality, and Sandra’s mother was right. She had a most distinguished face, an elusive and remarkable mind that could, and did, produce excellent poetry, and an air of eternal youth. Sandra had seen her walking dreamily across the turf of the cathedral close early one summer morning in her usual swirling skirts and shawls, with her feet bare and her hair loose, and even though Sandra knew she was forty-seven, she had looked unaffected and dignified and imperishably young. The boys loved her. She had gone like this before, of course, when troubled or stifled—Sandra had gingerly tried to use the word “mystic” in describing her—but never so suddenly or silently. Once she had gone to a friend’s cottage in Shropshire, and another time to stay in a remote and tiny convent in Suffolk. Sandra thought that when the headmaster looked as if he could bear a remark upon the subject, she would remind him comfortingly of this. In the meantime she would get on with his letters, beginning with the one to the lady producer at Granada Television who wished to come down to Aldminster for a series she was making on elitism in education.

  Nicholas Elliott, hammering in two white-painted posts to mark the end of the hundred-metres track, was accosted by a broad and affable Labrador.

  “I hope you don’t mind dogs,” the dean of Aldminster said.

  Hugh Cavendish had been dean of the cathedral when Nicholas was head chorister. He was much the same—upright, grey-haired, well-groomed, with the air of a country squire about him. Boys who went to the deanery in Nicholas’s day reported a pair of guns in his study—Purdeys—and rod clips in summer on the roof of his car and the fairly regular arrival of a delivery van from Berry Brothers and Rudd of St. James’s.

  “Down, sir,” said the dean.

  The Labrador flopped immediately into the pose of a Landseer lion. The dean turned a smile of enormous charm upon Nicholas.

  “I believe you are Nicholas Elliott.”

  Nicholas’s face was illumined.

  “Do you remember, sir—”

  “No. To be truthful, I don’t. But I have just met Mr. Beckford in the close and he told me about you. I am glad that it was your instinct to return to Aldminster.”

  “There seemed nowhere else—”

  The dean allowed a tiny respectful pause to follow this admission, and then he said, “And I expect you have spoken to Mr. Troy.”

  Nicholas looked awkward.

  “There seems to be some sort of problem this morning.”

  “I don’t suppose any day in any school passes without one. Come and see me. You remember where the deanery is?”

  “Certainly, sir.”

  “Come and have a cup of tea with Mrs. Cavendish and me.”

  “Thank you.”

  “Heel!” the dean said to the Labrador.

  “He’s terribly well trained, sir.”

  “He is—when my children refrain from undermining him.”

  A memory of last night’s row filled the dean’s mouth with sourness. Cosmo—removed from the King’s School for disruptiveness and now whipping up anarchy in Aldminster’s best comprehensive—Cosmo had come into the deanery drawing room, prodded the Labrador arbitrarily out of a profound slumber, and begun to haul him towards the door. The dean said sharply, “Where are you taking that dog?”

  “To watch Picnic at Hanging Rock with me. He’s read the book, you see, and now he’d like to see the film—”

  Mrs. Cavendish shot out a hand and gripped her husband’s arm.

  “Huffo—”

  The door shut loudly behind the boy and dog.

  “I cannot bear this whimsical humanizing of animals,” the dean had said furiously. “It demeans both the human and the animal.”

  “He only does it to provoke you, Huffo—”

  “Don’t call me Huffo.”

  “And you are provoked.”

  “Yes,” the dean said, “I am,” and then he had gone up to the little attic room, which the children had painted black, where they kept their television and the squalor of their wayward culture, and he had had a full-volume shouting match with Cosmo. Cosmo had won by putting on a tape of UB40 tremendously loud and then lying peacefully down on a bean bag and smiling up at the ceiling. On his way down to the drawing room, the dean had sat down on the staircase and had a moment of black despair, so filled with self-disgust that he could not even, for the moment, pray. The Labrador had waited in good-mannered sympathy two steps below.

  He held his hand out now to Nicholas Elliott.

  “About four. After evensong. We shall look forward to seeing you.”

  He would not, he resolved, walking away across the playing fields
towards the green dome of the close, whose gentle summit the cathedral rode like a great ship, think about Cosmo. He would think instead about the organ, that great tour de force of restoration that was nearing completion, which would give Aldminster the distinction of possessing about the only double-case seventeenth-century organ to survive in its bold and original glory. He had adored those three years. Day after day he had gone exultantly into the cathedral while the Victorian overpainting of the pipes and pipe-shades and cornices came away to reveal the vigorous colours of the Restoration, tassels and flowers and birds, oak trees and roses, a girl holding an apple, King David playing exuberantly upon the harp. He had made it his business to understand the infinite ingenuity necessary to insert a modern organ into an ancient case, and was very happy to have the organ builders instruct him in the use of different metals for different pipes, and extol to him the wonderful advantages of an electromechanical organ. With them he rejoiced over the unique size of the Pedal Open stop—“Eighteen twenty-one,” he said in awe to his wife, who was trying to telephone the window cleaner—and the soundness of the original choir case and exclaimed over the unsympathetic hands that had perpetually rebuilt the instrument for two centuries. It had made a bond between him and Leo Beckford that ordinary intercourse would hardly have achieved between men so unalike.

  He paused at the edge of the close and looked up. There it was on its green summit, incomparably moving and majestic. He would never tire of it, never feel any labour too great for its preservation and restoration. No dean of Aldminster had ever known more about this cathedral than Hugh Cavendish or cherished its fabric with such zeal. He walked slowly down its great length, and then down the gradual slope of the close beyond to the dignified eighteenth-century ashlar face of the deanery.

  His wife was on the telephone six feet inside the front door. He hated the instrument’s being in the hall—so uncivilized.

  “Must fly, my dear,” Bridget Cavendish was saying. “It’s the day for the fish man. Fish Monday, community shop Tuesday, Evergreen Club Wednesday, never a dull moment …”